david chalk

PHOTOGRAPHER / IMAGE MAKER

AN AMAZING CAMERA

Chalk refers to the Silicon Graphics visual computer as "an amazing camera with a million lenses. And I'm not limited to pointing the camera outward," he observes, "I can also point it inward. I'm no longer merely a photographer, I'm a combination of director, set designer and lighting engineer, with intimate control over actors, lighting and sets. As a photographer," he says, "I didn't have the patience to create still lives. But that's what I'm doing with the computer. Anything I can think of, dream of, or visualize in my mind's eye, I can create. And it's all so easy. A night doesn't go by that I don't spend five hours working on the system, and it's never a chore, it's a pleasure."

THE REAL-TIME ADVANTAGE

In addition to creating acclaimed personal works that are widely shown in galleries, Chalk also produces images for commercial and corporate clients. In deadline situations, he says, the real-time performance and flexibility of the Silicon Graphics system is a distinct competitive advantage. "To be able to create in this way, with the client there suggesting changes and me instantly making those changes, is simply wonderful. I can move an entire model, even in a shaded mode, in real-time and show a client how their image will look this way or that way; how their logo will appear in several different positions. That's a fantastic capability.

"And the system renders so fast," he continues. "I remember, back in the old days, working on other systems, doing illustrations that took 50 hours to render. They were nice images, but that's way too much time. The Indigo2 workstation's multi-tasking ability makes all the difference in productivity. While I'm laying off an animation or doing a large rendering, I can still be working on another model without any appreciable loss of speed. There's just not a PC that can do that. When you're running Alias's Power Animator on Indigo2, there is no limitation. With other systems, at some point you're going to bang your head on the performance ceiling."